It lies cocooned in concrete, including a 36-inch concrete sub-basement. The theater blocks all of this out with layers of noise-canceling material. In other words, they designed the expansive theater to ensure that no sound sneaks in from outside its walls.Ī hurricane of noise surrounds the theater, with the roar of passing trains and cars by the center’s downtown campus, zooming planes and helicopters from the airport, and the hubbub of conversation from the center’s Grand Lobby. To present spine-tingling performances in Reynolds Hall, The Smith Center’s designers and acousticians knew what they had to achieve first. “The theater is truly an instrument itself,” says center architect David Schwarz. ![]() You will likely never forget the first time you sat in Reynolds Hall at The Smith Center and heard music swell throughout the cavernous space.Īnd every inch of the 2,050-seat theater - spanning the domed ceiling, the lavish curtain and the gleaming floors - is designed to support and carry sound to each audience member in acoustic magic.
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